Emerson Dorsch presents Belle Captive by Victoria Fu.

In Belle Captive, Victoria Fu’s moving image installations appropriate stock media and narrative cinema to engage in a dialogue on recent paradigm shifts in film and video viewership. In her video installation Belle Captive I, Fu interrupts the picture plane and with it suspension of disbelief. Images are multiplied and layered to disorient the viewers’ sense of space, shifting between the real and representation. Her lush photo collage works exploit the optical effects of light and space to induce a state of honeying through a prismatic disjunction of color and form. They result in a mesmerizing collage, of glowing reds and yellows, that is seemingly familiar and yet wholly abstract.