Mel Davis

Born 1973, Canada

Everything gets painted because everything is worth seeing. And to see something, really see it, means to paint it.

Selected Works

Mel Davis

Mel Davis approaches her practice by focusing on individual bodies of work. Her style transforms based on the topics she engages with. This method stems directly from how she looks at painting; she places an emphasis on observing the memories that arise each time she encounters a particular work. “It’s impossible to make a painting without thinking of past paintings. We are always in dialogue with images that came before us,” Davis says when speaking about how the culmination of imagery in our lives affects how artists work today. “In an age where there isn’t a hierarchy on how we can use images, artists can take from all different kinds of sources to create their own palette.”

Themes of femininity, delicacy, and tenderness are found in her paintings of hands holding flowers. This is her way of exploring, much like Picasso did, how much you can say with the least amount of lines and color. What can painting do, or describe; what can painting be; in its most abbreviated form? Beyond paintings of flowers, her still lives emphasize objects as an everyday universal truth. Here, the sources may be coming from the past, but these concepts are very much present today.

Exhibitions

Exhibition

September 15, 2024

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